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  DEDICATION

  For my grandfathers,

  Geoffrey and Maurice

  EPIGRAPH

  The magnanimity of the sea, which will permit no records.

  Herman Melville, Moby Dick

  CONTENTS

  Dedication

  Epigraph

  A Note from the Author

  Preface

  1 Water Bug

  Waking to the sound of water

  2 The Siren’s Call

  Glimpses of blue between the macrocarpa trees

  3 Return

  Chasing light beams down into the abyss

  4 Setbacks

  Cold nor-westerlies and lingering colds

  5 Confirmation

  A mantra of inevitability

  6 Going on Alone

  And coming face to face with one’s self

  7 The Hectometre

  Stretching the umbilical cord to a gossamer thread

  8 Mis-trials

  Hamstrung by a nose clip

  9 Fatal Error

  A dive too far

  10 Dry Patch

  Diving for a drink

  11 Downwards

  The greatest adversary: oneself

  12 1O2

  A promise kept

  Epilogue

  Photos Section

  Acknowledgements

  Glossary

  References

  About the Author

  Copyright

  A NOTE FROM THE AUTHOR

  FREEDIVING, OR BREATH-HOLD DIVING, has its roots in ancient cultures such as those of the Greek sponge fishermen, Polynesian pearl-divers and Japanese ama, all of whom have been holding their breath while harvesting the bounties of the sea floor for hundreds of years. The first ‘official’ records were set in the late 1940s, but in this era divers used weighted sleds to descend and inflatable lift bags to return, a modality called ‘No Limits’. Nowadays, this style has been abandoned by athletes and the main governing body of freediving (the AIDA — International Association for the Development of Apnea) in favour of the more athletic disciplines.

  The sport of competitive freediving as we know it today has existed in its current form for only about 30 years. There are three disciplines in which athletes compete for maximum depth (measured in metres below the surface):

  • CWT (Constant Weight): the freediver swims down and back up wearing fins or a monofin, but cannot touch the rope (other than once at the bottom). Any weight worn as ballast must remain constant throughout the dive.

  • CNF (Constant No Fins): the freediver swims down and back up, relying only on his or her own body for propulsion, and usually swimming with a kind of adapted underwater breaststroke. Any weight worn as ballast must again remain constant.

  • FIM (Free Immersion): fins are not allowed, but freedivers can use the weighted dive rope to pull themselves to maximum depth and back to the surface. As for the other disciplines, any ballast weight must remain constant.

  Holding the breath means stopping the intake of oxygen. From that point on, the freediver depends on the oxygen contained within the body: mixed with other gases as air in the lungs; attached to haemoglobin (inside red blood cells) in the blood; and stored in myoglobin within muscle tissue. As the apnea (breath-hold) continues, these stores of oxygen become depleted. When the body’s stored oxygen falls below a certain level, the brain makes an executive decision and shuts down conscious activity — one of the biggest consumers of oxygen — in order to conserve what remains. This results in a blackout (loss of consciousness).

  If an athlete comes to the surface and is very close to blacking out then they may suffer a loss of motor control (LMC). The freediver is still conscious, but cannot control a shaking of the arms and head while they breathe, and this state is commonly known in freediving as a ‘samba’ (named after the Brazilian dance).

  If a blackout happens underwater and there is no one to intervene, it will be fatal 100 per cent of the time. This is why it is critical, in any depth of water, to always freedive with someone who is trained in safety techniques, and to use the ‘one up, one down’ system of diving (i.e. one freediver occupies the role of safety diver for the other). In competitive freediving the athlete is always accompanied by safety divers in the final 20 to 30 metres of their ascent, where the oxygen levels are at their lowest and blackout is therefore most likely to occur. If an athlete does black out underwater, the mouth and glottis clamp shut in a reflex action, keeping the lungs dry. They are brought to the surface by the safety divers, who then blow across the athlete’s face to signal to the facial nerves that they are no longer underwater. This normally triggers recovery and a resumption of breathing, but if it doesn’t then a safety diver can give a mouth-to-mouth ‘rescue breath’ to oxygenate the athlete’s lungs.

  Blackouts are clearly undesirable, but are neither painful nor (according to extensive medical research) damaging. Permanent damage to the brain or other organs does not begin until several minutes after a loss of consciousness, at the earliest, and this is more than enough time for the athlete to be returned to the surface by trained safety divers.

  Before attempting freediving, breath-holding, or any of the techniques described in this book, readers are strongly encouraged to enrol in a freediving course where they can learn appropriate methods for safe practice underwater.

  PREFACE

  2 DECEMBER 2014

  I’m not William Trubridge. I’m not an ‘I am’. There exists only a point of awareness, wakefulness, seemingly contingent on the body of a human man, drifting downwards into thin ink.

  The heart of that falling body beats slowly, shuffling thickened blood past the dormant brain. With each beat the body sinks another length away from the surface, away from the sun, away from the air. Inside there is awareness — but there is no content to the awareness, like a camera filming in darkness.

  Meanwhile, something is taking place. An unassisted breath-hold dive to a depth no human being has ever been to. A world-record attempt. Many people — in the water, on the surface, in front of televisions and internet feeds at home or at work — are completely engrossed in the timeline of this dive. So, arguably, is the subconscious mind — the autopilot — of the man attempting the record. But the shard of consciousness that is all that is left of him, of me, is unshackled, formless, empty.

  Such detachment from identity and locality is actually necessary for my own survival. If I’m to swim to 102 metres below the surface of the sea and return by the same route, I don’t have enough air to take the chattering monkey that lives in my head along for the ride.

  An alarm from the depth gauge on my wrist sounds, sending a signal to the autopilot, which orders a subtle change in my position to ready my body for a turn. The rope in front of me changes pattern and texture; my left hand grips it, my right arm extends and its hand closes around a piece of material — a tag attached loosely to a round plate. The surface of the plate is exactly 102 metres below the surface of the ocean. I have the tag to prove that I’ve been there. Now I just have to make it back up.

  *

  Something has brought my brain back online. It was a sound, like a tiny, stifled sneeze. It came at the same time as my torso expanded, my ribs flared wide by my breathing muscles. That was involuntary as well: a ‘breathing reflex’ to try to pull fresh air into my lungs. There’s no air where I am, though, which is why my mouth stays firmly shut. All the expansion does is suck my stomach further up under my ribcage.

  I don’t need to tell myself ‘just keep swimming’, since that is my body’s default mode — it will continue on autopilot for as long as I am conscious. My strokes are, however, becoming laboured from the lactic acid pooling in my limbs. Attached to a Velcro patch on my leg, the fabric tag flutters with each k
ick and armstroke I take. If I can bring that little black badge back to the surface, swimming without fins or any propulsive assistance, and without touching the rope or any other diver, then I will set a new world record in the purest discipline of freediving: Constant Weight No Fins. All I have to do is stay calm, focused and, above all, conscious.

  That squeak, though: it’s not a good sign. It means that my inhale reflex was strong, strong enough to pull a tiny bit of air from my mouth past my glottis, making it vibrate. And I shouldn’t be getting such strong breathing reflexes at this point in the dive. I still have so far to go before I reach air, and the oxygen I need to survive.

  I’ve only just started ascending from 102 metres below the surface of the sea, and I feel as if I already need to breathe.

  CHAPTER 1

  WATER BUG

  Waking to the sound of water

  From birth, man carries the weight of gravity on his shoulders.

  He is bolted to earth. But man has only to sink beneath

  the surface and he is free.

  Jacques-Yves Cousteau

  THE TIME I WAS CLOSEST TO DROWNING didn’t involve any liquid water at all.

  It is one of the first memories that I know for certain is wholly my own, since I was the only one present. It happened when I was four years old, in Suva, Fiji. The yacht club there was playing the Bond movie Octopussy on loop, and my brother Sam and I would while away the days in that dusty, raucous room, while my parents prepared our boat for the voyage to New Zealand. The staff took a liking to us, and supplied us with sodas, always with plenty of ice — a huge novelty for children brought up on a boat with no refrigerator. On one of these sleepy afternoons I was toying with an ice cube in my mouth, melting it into a slippery jewel that skidded back and forth from one cheek to the other. Some errant movement of my tongue or jaw must have caused a ricochet that sent the frozen lozenge suddenly backwards, caroming off my soft palate to lodge firmly in the glottis. It was a snug fit, and the patina of melting water provided just enough lubricant to make sure there was a good seal around the ice cube.

  The body’s first instinct when surprised is to inhale sharply, and in that moment I realised I could not breathe. Although I was a child who had already spent some time not breathing underwater, this moment still provoked a surge of terror that added a more systemic chill to the one happening in my throat. I couldn’t cry out, and there was no one within eyesight to signal to. Instinctively I knew that if I tried to move I wouldn’t get far before running out of breath. Whatever was going to fix the situation, whatever it was, had to happen right there, on that aluminium chair, in front of a waggish Roger Moore canoodling with his latest conquest (‘Forgive my curiosity, but what is that?’ ‘Why, that’s my little octopussy.’). And it had to be me who fixed it.

  A level of gravity that I had no idea even existed took control of my mind and senses. Riding on the shoulder of that wave of terror was the recognition that this moment might not be followed by another if I didn’t do exactly what was necessary. And what was necessary? My mouth stretched wide as my hand plunged in, forefinger extended. There was a gag, followed by another, as for the first time something other than food or water touched the back of my throat. When Sam and I were seasick, we were told that forcing ourselves to vomit using the same manoeuvre would ease the ailment, but I could never muster the willpower to do such a thing. Now willpower was an irrelevant luxury, superseded by the stark criterion of necessity. I felt the cold slipperiness of the ice cube with my probing digit, and slid the fingertip down between it and the wall of my throat. There was a sickening moment when the ice cube merely tumbled on its axis without relinquishing its position; then the seal was broken and it popped forwards onto my tongue, from where I seized it between my fingers and pulled it out as I gasped air into my lungs.

  Even at that age I could appreciate most of what had happened: that a previously dormant, atavistic part of me had taken over in those moments, freezing out the panic centre of my brain so that it could act calmly and decisively. What I didn’t know was that later in life I would spend so much time trying to replicate that same self-control in the face of an extreme urge to breathe. Granted, I have never really felt as if my life was in grave danger during a training dive or even a world-record attempt. Nonetheless, once the urge to breathe sets in then in every instant of a voluntary apnea (breath-hold) there are two branching choices: the first where you allow yourself to become affected by the hunger for air — a route that quickly descends towards agitation and distress; and the other where you acknowledge the sensation happening to your body but manage to remain detached and non-reactive — or, better still, choose to experience it as a signal from your body to relax more deeply. After all, the sensation itself is caused not by a lack of oxygen, but almost entirely by an accumulation of carbon dioxide. Even just the solace afforded by this important piece of knowledge can help to placate the clamour of urgency felt by the body. When we can respond to suffocation with equanimity, we are truly on the path towards maximising our breath-holding and hence our aquatic potential.

  It always amazes me how early some people’s first memories are — it’s not uncommon to hear someone relate their impression of an event that occurred in their first year of life. This is especially hard for me to comprehend, since in my case an early memory is any in which my height is less than 6 feet. I wonder whether in some cases memory extends even further back, and one might even be able to recall what it was like to be suspended in the sea of amniotic fluid within the womb. Research suggests we can. Babies begin to learn their mother tongue in the womb, within which sounds and phonemes are clearly audible. There are many cases of children possessing rudimentary memories of events that happened before they were born, such as one girl who asked her mother about a minor car accident, and subsequent argument between her parents, and was told that she had still been in the womb at the time. Twins have been observed playing games with each other across the membrane curtain that divides them. It’s been shown that the same soft music that soothes a baby in the womb will also be preferred following birth. It stands to reason, then, that we might also have a similar preference for some kind of warm-liquid suspension that matches our memory of the pre-birth experience.

  Although not everyone may be able to access such early memories, they will always be present and can on some level be triggered. In the same way we may find a smell familiar but not know where from, or an event during the day can reunite us with the memory of a dream we were previously cut off from.

  And what about the experience of being in the womb itself? Would that be similar to a free fall into deep water?

  *

  I took my first breath in the north of England: a home birth in a cottage on the Northumberland fells that border Scotland. The sea was nowhere in sight, but like every human to date I had spent the first nine months of my existence underwater, adrift in amniotic fluid. Perhaps my preference for an aquatic element had developed even by then, because I had no intention of exiting the womb until Linda, my mother, decided to speed things up by forcefully ingesting two cups of raspberry tea, made from the pulped leaves and stems of the bush (she ate the pulp, too). I needn’t have feared, though — it wouldn’t be long before I would return to a far larger sea.

  Conceived in the twilight of the 1970s after, I’m told, a night of celebration at a Caribbean-themed party, I first saw light in May of 1980, a week after smallpox had been declared eradicated for good and while ash was still billowing from a fiery Mount St Helens.

  It was a volatile time in Great Britain, too. While The Empire Strikes Back was opening in cinemas everywhere, Her Majesty’s empire was fighting a tactical battle against the growing Red Star of the east (sorry, Margaret Thatcher — the analogy doesn’t quite stretch to you being Princess Leia).

  The freediving world record in the year of my birth was exactly 101 metres, set in a dive made in 1976 by Frenchman Jacques Mayol (inspiration for the movie The Big Blue). May
ol descended with the aid of a weighted sled and was pulled back up by an inflated lift bag. At the age of 30, I would make my first attempt at the same depth with no propulsive equipment whatsoever.

  My father, David, made bespoke wooden furniture in a workshop in a field a short walk from our cottage. Linda kept my older brother, Sam, and me fed, warm and dry in a building that was remote, cold and wet. That was in the summer, mind you: in the winter it was completely cut off, freezing and snowed in.

  In 1982, when I had seen 20 moons and probably as many sunny days, my parents took the daring plunge of leaving behind their gloomy but safe and dependable rural English life to embark on an open-ended journey across the seas; to sail west from Europe and not look back. Both my parents had travelled extensively before they met, and after tasting that bountiful life they had become terminally discontented with both the cold and sunless climate of northern England and the cold and sunless rule of its iron lady, Thatcher. It was such a radical move for the community and culture they inhabited that the local newspaper wrote a feature article on our family, entitled ‘Into the Unknown’, making no attempt to hide an almost funereal view of the send-off. The article did help secure a good price for the house my father had reconstructed from a ruin, however, and this paid for a 45-foot single-masted sailing boat with just enough money left over to see us through the first leg of our journey to the Caribbean; David had made loose arrangements for employment there. The boat, Hornpipe, was a sturdy steel-hulled vessel built in Brisbane and was named after an English sailor’s dance. She was being kept in Puerto Banús, in southern Spain, so the first leg of our journey was overland, in a dying Morris Marina van. It was February, and we drove through a frozen midwinter landscape to catch the ferry to the Continent. Somewhere on the long drive down through Spain the van did finally die, but was kept by David in a state of suspended reanimation, in part by the opportune placement of my potty under a free-flowing petrol leak.